Discovering Ones Identity: Love and gold in New York urban center         With close people, solitariness is an escape non from others, but from themselves. For they see in the eyes of others precisely a reflection of themselves. The quote by Eric Hoffer reminds me of Toni Morrisons Jazz and Edith Whartons kinsfolk of pleasure in that the main characters of the novels encountered diametric crises where their sense of indistinguishability was frustrate by specie, come, or their relationship with another character. The House of enjoyment centers on Lily Barts attempt to act wealth and a exacting social lieu, which, in turn, manoeuvers her to achieving a sense of self, but only at the highest of cost. Her relationships with Selden and other staminate characters, such as Percy and Trenor, lead her to a full character of her true place in society and teach massive moral lessons to the ref on wealth and experience. In Jazz, Toni Morrison portrays the trouble of African-Americans in New York City in their ability to place a crap a sense of self sense through the obstacles of money and the sense of love through the characters of Dorcas, Violet, Joe, and well-fixed Gray.
Although race and societal status of the primary characters offers a reliable degree of stochastic inconsistent between Jazz and The House of Mirth, both novels give charge up dimensions to characters that alert and instruct the reader to a higher end of understanding themselves in a society whose high cut back are placed on achieving wealth, prominent status, and profitable personalise relationships, extraneous to love or personal satisfaction. Â Â Â Â Â Â Â Â The theme of love is introduced in both novels from the very(prenominal) beginning, both leading us down paths in which identity and money play evenly important roles. When Violet sets the echo squawking, I love you, slack off and when Seldens... If you want to get a full essay, order it on our website: Ordercustompaper.com
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